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Film Library

Sarah Mishler

Sydney G. James: How We See Us

Visual artist/muralist, Sydney G. James, addresses the status of Black women in society, police brutality, family and community through bold brushstrokes and hues that evoke the complexities of Black reality, joy, pain, and resilience. Inspired by personal experiences, current events and her hometown of Detroit, she invites conversations with family members and fellow artists as she creates a new work on canvas and transforms vacant walls into creative spaces.

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Sarah Mishler

Parker

A decision delayed for decades allows a Kansas City family to finally unify when they do something that countless African Americans before them could not do—choose their own last name.

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Sarah Mishler

Makeover Movie

For more than a hundred years, movie makeovers have promised audiences that with a little help, any ugly duckling can transform into the belle of the ball. Featuring clips from nearly a hundred films, MAKEOVER MOVIE immerses us in the candy-colored and kinetic world of the makeover montage. Alongside these iconic images, women of color and queer women reflect on the racialized, heteronormative, and contradictory beauty standards at the core of the movie makeover.

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Sarah Mishler

La Singla

La Singla was born deaf and learned to dance flamenco without listening to music. At age 17, she revolutionized flamenco, but before turning 30 years old, she disappeared from the stage. Fifty years later, the time has come to tell her story.

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Sarah Mishler

It’s Only Life After All

Blending 40 years of home movies, raw film archive, and intimate present-day verité, a poignant reflection from Amy Ray & Emily Saliers of Indigo Girls – the iconic folk rock duo. A timely look into the obstacles, activism, and life lessons of two queer friends who never expected to make it big.

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