Documentary

A single, large clay pot sits on a wooden shelf in front of a weathered, partially crumbled brick and plaster wall. The outdoor scene feels rustic and quiet, with muted colors and rough textures highlighting the handmade pottery against the aged structure.

A Kind Favor

In the foothills of the Santa Cruz Mountains, ceramicist Jessie DuBois and her grandmother, Marcia, engage in a heartfelt conversation about life, death, art and the pottery school Marcia and her husband built in the 1960s.

A Kind Favor Read More »

A person in a bright pink shirt and red life jacket is rowing a boat through a dramatic canyon landscape. Towering reddish rock walls rise on either side of the muddy river, and another rower wearing a blue jacket and tan life vest sits behind. The scene conveys a sense of adventure and teamwork among the striking natural formations.

About Damn Time

Amidst the roar of rapids and the serenity of the Grand Canyon, ABOUT DAMN TIME chronicles the journey of trailblazing boatwomen who, guided by legacy and determination, challenge a male-dominated world, protect sacred rivers, and pass the oars to the next generation.

About Damn Time Read More »

People participate in an expressive and energetic ceremony inside a church, surrounded by stained glass windows and pews. Some individuals wave purple and white fabric streamers, creating a sense of movement. Others, including a woman wearing a fringed shawl, stand attentively or watch from the congregation, contributing to a vibrant, communal atmosphere.

All God’s Children

In an unprecedented attempt to heal centuries of racism and antisemitism, and combat the rising racial and ethnic tension in their Brooklyn communities, the largest reform synagogue and the oldest black Baptist Church attempt to unite their congregations and bring about peace, by becoming family. Shot over five years by acclaimed documentary filmmaker Ondi Timoner,

All God’s Children Read More »

Three children and an adult sit closely together, displaying a sense of warmth and intimacy. The adult wears a gray headscarf and dark patterned clothing, while the children gather near, partially leaning on one another. Their expressions and posture suggest comfort and family affection, set against a softly lit brick-patterned background.

Aisha’s Story

“Food is the most precious part of Palestinian heritage.” Aisha Azzam and her husband started their family grain mill in Baqa’a refugee camp, Jordan, 35 years ago. She treasures her role in safeguarding culture by milling the wheat, grains, and herbs essential to Palestinian cuisine. Through food, Aisha traces the story of Palestinian displacement and

Aisha’s Story Read More »

Scroll to Top