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A person wearing a white headscarf with handwritten blue text sits among others in a solemn gathering.
The Stolen
80-minutes
After a brutal dictatorship takes over Argentina, grandmothers band together to search for their missing grandchildren.
Screening day / time
  • Oct 18 (Sat): Block 4 – 2:30pm
  • Oct 23-26: Virtual Encore

The Stolen

Filmmaker(s)
Running Time
Feature Film
80 minutes
Genres
Documentary, Feature

The Stolen

In March 1976, General Jorge Rafael Videla toppled Argentina’s democracy and embarked on a brutal campaign of repression. Roughly 30,000 Argentines were kidnapped and murdered by security forces; they became known as Los Desaparacidos – “The Disappeared.” Swept up in the violence were some 500 women who were pregnant or had recently given birth. For years, no one knew what had happened to the children of these “disappeared” women. Had they perished along with their mothers? Or might they have survived?

Then, the families of the Desaparacidos made a shocking discovery: many of these children had been secretly adopted by military elites and given new identities. In some cases, they were being raised by the very men who had murdered their real parents. Hundreds were out there living this lie, and their biological families were determined to find them. For the last 40 years, that search has been the defining struggle of these families’ lives.

An emotional, narrative-driven documentary feature, THE STOLEN explores the astonishing story of Argentina’s missing children and the ongoing quest that surrounds them for truth, identity and justice. It’s a story about the tenacity of mothers and grandmothers who’ve spent decades searching for their missing loved ones. And it’s about the children themselves, now adults, who have had to confront the darkest family secrets imaginable.

While the events that set this story in motion speak to some of the most disturbing aspects of humanity, the film is ultimately uplifting. The journeys undertaken by families and children to find each other, to pursue justice, and to heal their country offer a profound and restorative narrative that will inspire audiences.

Filmmaker Notes:

Although THE STOLEN is set principally in Argentina, its themes are universal. The central drama of the story plays out against a tragic backdrop of collapsing democracy. Today, authoritarianism is on the rise globally, with hate groups and far-right politicians gaining popularity and power. Our film serves as a cautionary tale for what can happen when societies allow themselves to fall into the grip of dictators—and it shows the difficult work required to undo that damage once it takes place.

Time is running out for the Grandmothers of Plaza de Mayo. Many of the group’s founding members are in their 80s and 90s; with nearly 400 stolen grandchildren still unaccounted for, the chance to reunite these children with their grandmothers is slipping away. In bringing this story to a US and a global audience, we hope to inspire viewers who may suspect they are stolen children –- or who might have information about a case – to come forward at last and help bring closure to these suffering families.

Director’s Statement: Midway through my research on this project, I found myself seated across from Nestor Fantini, a torture survivor who spent 4 years as a political prisoner during Argentina’s military dictatorship. “Memory is fundamental,” Nestor said. “But it is not inevitable.”

There is no guarantee justice will follow every crime, nor that memory will persist when powerful forces try to silence it. To the contrary, it is often easier for societies to forget and move on. The violence of Argentina’s dictatorship was an attack on memory itself. When a person is “disappeared” there is no grave, no body, nothing to help us recall what was lost. This absence was precisely the outcome that Argentina’s military planned for their country: to erase any consciousness of what had once been. When its commanders secretly adopted the children of the people they had murdered, they denied those children the ability to understand their true origins. “The Stolen” is not just a story about stolen children, but a story of stolen childhoods, stolen memories, stolen possibilities, and stolen love.

I see this film as one small piece in a much larger effort to preserve and affirm the importance of memory. -Brian Pearle

Film details
Year(s) screened
  • 2025
Subtitles
Partial
More information
Festival screenings
Screening Day / Time
  • Oct 18 (Sat): Block 4 – 2:30pm
  • Oct 23-26: Virtual Encore
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