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Sydney G. James: How We See Us

Visual artist/muralist, Sydney G. James, addresses the status of Black women in society, police brutality, family and community through bold brushstrokes and hues that evoke the complexities of Black reality, joy, pain, and resilience. Inspired by personal experiences, current events and her hometown of Detroit, she invites conversations with family members and fellow artists as she creates a new work on canvas and transforms vacant walls into creative spaces.

Swimming Through

Three women forge a friendship by swimming daily at sunrise through the winter in Lake Michigan to cope with the pandemic.

Parker

A decision delayed for decades allows a Kansas City family to finally unify when they do something that countless African Americans before them could not do—choose their own last name.

Makeover Movie

For more than a hundred years, movie makeovers have promised audiences that with a little help, any ugly duckling can transform into the belle of the ball. Featuring clips from nearly a hundred films, MAKEOVER MOVIE immerses us in the candy-colored and kinetic world of the makeover montage. Alongside these iconic images, women of color and queer women reflect on the racialized, heteronormative, and contradictory beauty standards at the core of the movie makeover.

How We Get Free

Over the course of two years, HOW WE GET FREE follows Elisabeth Epps as she works to abolish cash bail in Colorado.

From Dreams to Dust

Pola is a nickel miner and family man from Indonesia. The mineral nickel is a key component in electric cars, a supposedly sustainable technology paid for by Pola and his village.

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